"Within the context of painting I am very interested in dolls because they are an unreal representation of human beings. A person can never be real in a painting. A painting is not made of flesh and blood, and it cannot move. Therefore, dolls are more adapted to the environment of the canvas than any photographic representation of a human. Moreover, our imagination can set the figures into motion and animate them according to our moods. In a certain way – through the use of one’s imagination – the viewer can thus be involved in the process of painting, involved in the work of art itself."
Sunday, August 4, 2013
Kalvis Zuters
Born in Latvia, Kalvis Zuters graduated from the Latvian Academy of Art in 1993 with a specialization in painting. He is known for the masterful surfaces of his paintings, which feature enigmatic doll-like figures and are characterized by luminous glazes, soft colors, selective use of metal leaf, and remarkable visual texture.
"Within the context of painting I am very interested in dolls because they are an unreal representation of human beings. A person can never be real in a painting. A painting is not made of flesh and blood, and it cannot move. Therefore, dolls are more adapted to the environment of the canvas than any photographic representation of a human. Moreover, our imagination can set the figures into motion and animate them according to our moods. In a certain way – through the use of one’s imagination – the viewer can thus be involved in the process of painting, involved in the work of art itself."
"Within the context of painting I am very interested in dolls because they are an unreal representation of human beings. A person can never be real in a painting. A painting is not made of flesh and blood, and it cannot move. Therefore, dolls are more adapted to the environment of the canvas than any photographic representation of a human. Moreover, our imagination can set the figures into motion and animate them according to our moods. In a certain way – through the use of one’s imagination – the viewer can thus be involved in the process of painting, involved in the work of art itself."
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